A hub for all things to do with design, furniture painting, photography, style, event planning [and some foodie bits for good measure].  


I love exploring different ways to layer and manipulate paint on furniture. I have this thing about combining greens and blues and figuring out ways to bring this color combination to life. I bought this piece, a vintage mahogany dresser, from a neighbor who had meant for it to be her own project, but a move to California meant I got to take this on as my own. Other than the fan detail at the center of it and a bit of fluting along the two sides, this dresser is fairly simple in style. I knew it would need a more creative finish to really allow it to shine.

I started off by painting the entire piece in Annie Sloan’s Amsterdam Green. I like to start with the darkest color as my base and then add lighter shades on top. This isn’t essential, but I just find it works best when I’m trying to achieve this layered effect. To create a sense of depth to the flat surfaces, I mixed up varying shades of teal, combining Annie Sloan’s Napoleonic Blue with Amsterdam Green and adding Pure White to create lighter shades. I quickly painted one of the shades of teal haphazardly all over the piece and immediately went over it again in a lighter shade of teal, making sure not to fully combine the two colors.

After letting it dry for just a few minutes [no more than 10], I started to spray the dresser with water with one hand and brushing over the piece with the other hand. Sometimes I’d let the drips stay, mostly on the drawer fronts, but I tried to avoid any sort of uniformity to how I did this. When it looks too forced, I feel like the paint finish loses that unique patina. Sometimes I won’t like how a certain area looks, and I’ll just paint right over it and start again. It’s a process and takes extra time to dry with the addition of water, but I just cant get enough of the end result!

I’ve been working on capturing this layered effect in photos, but it’s challenging to showcase just how stunning the finish really is. That being said, the photos I did take must have done the trick because this dresser sold only after a few days of being listed, and even more exciting, it’s my first Etsy sale! [did I mention I’ve started selling my pieces on Etsy so I can ship nationwide now?!]

I’m really enjoying getting more creative with my painting process, and I’m desperate to get my hands on another dresser to use this technique on! Which one will be next?! If you have a piece that needs painting or are on the hunt for something specific, contact me and I’ll help create something beautiful for you!

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Anytime I can get a deal on a mid century piece, I jump on the chance. Deals often come with some issues, but other than some wobbly legs and a laminate top, this coffee table was ready for a facelift. I opted to use one of my favorite blues, Annie Sloan’s Napoleonic Blue. It’s as close to a primary blue as I can get, only a bit deeper. Mid Century does best with a clean, simple finish and I kept it that way, only adding a touch of detail to the tapered feet with a light gray paint. I love the low, long silhouette of this piece, and how the brighter pop of blue balances with the deeper shade of my futon. Now all I have to do is hunt down more mid century projects to geek out on so I can be willing to part ways with this beauty!



I saw this table at my local Habitat for Humanity ReStore and it was an easy purchase. Though I don’t really implement the Hollywood Regency style in my own personal design, I see bits of it everywhere and I have a secret love for all things bamboo. This table was a glossy orange-toned wood bamboo that I couldn’t see working for me or any of my clients, but I wanted the bamboo details of this piece to come to the forefront.

Going with a dark color wasn’t going to cut it. All those curves would be muted by the depths of a deeper shade, so I knew white was where I was going to take this piece. I wanted to make it feel more ‘California’ or beach-y, or in this case, poolside appropriate.

I grabbed a bristly round paint brush [one of Annie Sloan’s] and ever so slightly dipped it in Pure White chalk paint. In a weird version of musical chairs for one, I’d quickly paint the piece as I moved in circles around the table. It looked comical, but working this way ensured I didn’t miss a single curve on the piece [and with bamboo, there are seemingly infinite curves]. I’d then flip the table over, work on the legs in the same orbiting pattern.

The finished product has a weathered, beach inspired vibe, resembling something similar to driftwood. The table has an airy lightness to it, which is further achieved with its glass top. There isn’t a single harsh edge on it, other than the striations from the dry brushing technique.

I’m tempted to try this table out in my own living room as we move closer to spring. Currently I have a comfy but cumbersome leather ottoman as my coffee table, and this oval beauty would lighten and brighten the space. Or maybe I’ll just drag the table out by the pool and lounge, drinking rosé, legs dangling in the water.

I’ll have this piece posted in my shop soon :)



I’ve always loved the color gray or grey, depending on how you prefer to spell it. I personally go back and forth on the regular. No matter the gray/grey, I find it to be one of the most pleasing neutrals to work with. I typically work in darker shades of gray when it comes to painting, but when I saw Annie Sloan recently came out with a new light shade of gray, my interest was instantly piqued. I’ve been combining Pure White or Old White with her dark Graphite to create lighter shades of gray for years. And don’t get me wrong, I don’t mind creating custom colors, but having a go to color straight out of the can that you love and feel like you could use on almost any piece really simplifies the process.

I loved this retro buffet and hutch from the get go, and though it required some repairs to the veneers and shelves to achieve a smooth base, I knew it would be worth salvaging and refreshing with paint. Annie Sloan’s new Chicago Grey as described on her site, ‘…is a cool, fresh and modern grey, with a hint of blue. Suggestive of the architecture in Chicago. A perfect neutral for industrial interiors, or muted Scandinavian styling.’ The description fit this piece of furniture seamlessly, so I knew it was the color to go with when I was shopping for paint.

Painting this piece wasn’t too difficult, with the exception of the bookcase shelves, since those are always my least favorite to work with [all those sides and edges!], but the gray went on fluidly and solidly from the get go. Styling this piece was a breeze. The light, neutral backdrop of the gray was begging to be styled with colorful books and simple objects. I simply pulled a few stacks of my vintage books from their shelf in my home. I keep them all organized by color, since it makes it easier to visualize what colors I’d like to use for styling projects. The modern lines combined with the vintage colors and textures in the books is a perfect contrast and one I love to implement time and again. Check out more photos of this beautiful piece below and keep an eye out on my shop page, since I’ll have it up for sale soon!


Layering Colors and Wax for an Aged Emerald Finish: Annie Sloan's Amsterdam Green and Graphite

It’s a new year and I’m back to working on furniture pieces today! [keep an eye on my Instagram account for photos of my current project!] I painted this great little antique find just before the holidays and I’m finally getting around to sharing it with you! This table is an antique, and one that wasn’t well taken care of. There were layers of sticky residue on the top and sides of the piece. Normally when using Annie Sloan chalk paint or any other similar calcium carbonate based paint, I never have to sand or really prep the piece for paint. This one required a good bit of love and sanding before it was ready to take to paint.

Sometimes furniture just speaks to a certain painting technique or colorway. Looking at the bones of the piece, I knew it needed a color varied style to highlight all the unique details of it. There’s a lot going on for such a small piece of furniture: scalloped edge at the front and back [the piece is double sided so it can float in a room if need be], fluted detailing along the squared frame, curved angles on the side magazine holders and the top and beautiful little bun feet at its base.

When something has lots of character, applying a contrasting wax brings all those intricacies to life instantly. For the base color, I combined three parts Annie Sloan Amsterdam Green with one part Graphite to help mute the bold Emerald a bit. [to see what true Amsterdam Green looks like on furniture, check out this dresser I finished a couple years back- it really is a gorgeous color!] I painted one coat with this mixture and then added one more part of Graphite to deepen it further and painted the piece here and there, not fully covering the initial greener base, so that the subtle change between the shades could still be seen.

I sanded using a wet piece of 400 grit sandpaper, which allows the paint to slough off a bit more aggressively. I wanted the original deep brown stain to peek through more, adding to that aged effect and creating lowlights on the piece. Finally, I brushed on white wax, not completely covering the piece, focusing on the crevices and details. I wiped the white wax with a white t-shirt rag, and then lightly applied a second coat of wax, now using clear wax. Combining the two waxes gives the piece that white washed look without completely altering the base colors. The end result is a multilayered, textured finish that shows off the aged beauty of this table.

I painted this piece to hold piano books in my living room beside my sofa, but it is up for sale now just in case anyone else has a place for this little gem! If you have any questions on my paint technique or inquiries on custom furniture pieces, contact me!